A black overcoat hiding the heavy ordinance dangling from your belt, you saunter into the office Christmas party. It is a dismal affair. In the corner, your boss — a corpuscular, lecherous walrus — drunkenly grinds against his secretary. Otherwise, several pallid, gelid-skinned corporate automotons mill listlessly about, drinking the free booze as with an obliterating purpose.
So you whip off your overcoat to reveal a small bazooka, aim it at the skull of the person closest to you and hit them with a full blast of Atari Teenage Riot's 'Start The Riot.' She hits the floor in full-body paroxysms, foam pouring out of her mouth and nostrils as the music reverberates through the brain. Then she tears off her dress, gets off the ground, and starts to dance. Coolly, you aim your bazooka at another party-goer's head, ready to execute their mundanity and send them straight to rock. Because this just isn't any bazooka. It's the Ravezooka.
The Ravezooka works by measuring the distance between the muzzle and the person its being aimed at and blasting a cone of pure musical ecstasy at them, its volume determined by how far away they are. According to creators Lesley Flannigan and Bendetta Piantella Simeonidis, "The sound resembles an analog synthesizer manipulating sine wave frequencies with the aggressiveness of a machine gun."
The Ravezooka [Official Site] (via WWMNA)
