Q: The detail in these photographs is so elaborate. How do you put together these bright narrative scenes?
A: First I find my victim. It is always a friend of mine; I never work with professional models. Each of the characters is defined by the little world she inhabits, so I usually take my color palette from the product that consumes her. I start putting aside everything I have in those colors. I’m not selective at first, I just start filling my studio with all the stuff I have, or I find, or my friend has that might work. I find the clothes the same way and I start this growing pile of orange and brown, or pink, or rainbow colored clothing.
Q: Even though these photos are lighthearted, there’s something really transfixing. Why are we fascinated by the tragic deaths of glamorous, young, beautiful women?
A: I think that death is very seductive. It makes us appreciate the beauty in all that is ephemeral. I think Baudrillard said we seduce with our weakness. When are we frailer than in the moment when we are losing our lives?