
The Arcade Fire have garnered some heady acclaim for their music, as well they should have (although it took me a little while to come around... Dave, you were right). Even if you don't like their music, you have to admire the way they have held onto their master recordings, maintaining control over their careers in a time when too many bands are created/molded/owned by whatever label gives them their first big advance.
Bob Lefsetz, industry expert and author of the twenty-year-strong Lefsetz Letter, was impressed by the way the Arcade Fire had been succeeding without kowtowing to kingmakers -- until he saw a huge spread on the band in the New York Times, that is.
Lefsetz went off on the band, wondering why they had resorted to traditional media such as the NYT (and [Canadian] Time) to hype the upcoming Neon Bible album, prompting the Arcade Fire's manager to defend the group. We received permission from both parties to post portions of the exchange below.

The Lefsetz Letter in question began (his emphases),
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Scott Rodger defended the band against charges of overexposure and pointed out that they had maintained total control over their music by refusing to "play the game." His response appears below in truncated form. Near the bottom, there's a great (and accurate) quote from Win Butler, Arcade Fire's lead singer:
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