Who Can't Like a Nice, Brisk, Web 2.0 Cultural Debate?

Hi everyone – My name is Andrew Keen and I'm the author of the forthcoming (June 5) CULT OF THE AMATEUR: How the Internet is killing our culture.

For more about my ideas, see my Internet writing at:

CultOfTheAmateur http://andrewkeen.typepad.com/the_great_seduction/

ZDNet http://blogs.zdnet.com/keen/

Britannica http://blogs.britannica.com/blog/main/author/akeen

A blogging critique of blogging, eh. What is the world coming to?

Anyway, I've been invited by kind Trebor to join your newsgroup and discuss/defend/critique my ideas. Trebor will post my anti Web 2.0 manifesto (aka: Adorno-for-idiots). So that should provide some lite afternoon reading for y'all.

All the very best from sunny south-central Berkeley,

Andrew

THE ANTI WEB 2.0 MANIFESTO (Adorno-for-idiots) by Andrew Keen

1. The cult of the amateur is digital utopianism’s most seductive delusion. This cult promises that the latest media technology – in the form of blogs, wikis and podcasts – will enable everyone to become widely read writers, journalists, movie directors and music artists. It suggests, mistakenly, that everyone has something interesting to say.

2. The digital utopian much heralded “democratization” of media will have a destructive impact upon culture, particularly upon criticism. “Good taste” is, as Adorno never tired of telling us, undemocratic. Taste must reside with an elite ("truth makers") of historically progressive cultural critics able to determine, on behalf of the public, the value of a work-of-art. The digital utopia seeks to flatten this elite into an ochlocracy. The danger, therefore, is that the future will be tasteless.

3. To imagine the dystopian future, we need to reread Adorno, as well as Kafka and Borges (the Web 2.0 dystopia can be mapped to that triangular space between Frankfurt, Prague and Buenos Aires). Unchecked technology threatens to undermine reality and turn media into a rival version of life, a 21st century version of "The Castle" or "The Library of Babel." This might make a fantastic movie or short piece of fiction. But real life, like art, shouldn't be fantasy; it shouldn’t be fiction.

4. A particularly unfashionable thought: big media is not bad media. The big media engine of the Hollywood studios, the major record labels and publishing houses has discovered and branded great 20th century popular artists of such as Alfred Hitchcock, Bono and W.G. Sebald (the “Vertigo” three). It is most unlikely that citizen media will have the marketing skills to discover and brand creative artists of equivalent prodigy.

5. Let’s think differently about George Orwell. Apple’s iconic 1984 Super Bowl commercial is true: 1984 will not be like Nineteen Eighty-Four the message went. Yes, the "truth" about the digital future will be the absence of the Orwellian Big Brother and the Ministry of Truth. Orwell's dystopia is the dictatorship of the State; the Web 2.0 dystopia is the dictatorship of the author. In the digital future, everyone will think they are Orwell (the movie might be called: Being George Orwell).

6. Digital utopian economists Chris Anderson have invented a theoretically flattened market that they have christened the "Long Tail." It is a Hayekian cottage market of small media producers industriously trading with one another. But Anderson's "Long Tail" is really a long tale. The real economic future is something akin to Google – a vertiginous media world in which content and advertising become so indistinguishable that they become one and the same (more grist to that Frankfurt-Prague-BuenosAires triangle).

7. As always, today’s pornography reveals tomorrow’s media. The future of general media content, the place culture is going, is Voyeurweb.com: the convergence of self-authored shamelessness, narcissism and vulgarity – a self-argument in favor of censorship. As Adorno liked to remind us, we have a responsibility to protect people from their worst impulses. If people aren’t able to censor their worst instincts, then they need to be censored by others wiser and more disciplined than themselves.

8. There is something of the philosophical assumptions of early Marx and Rousseau in the digital utopian movement, particularly in its holy trinity of online community, individual creativity and common intellectual property ownership. Most of all, it's in the marriage of abstract theory and absolute faith in the virtue of human nature that lends the digital utopians their intellectual debt to intellectual Casanovas like young Marx and Rousseau.

9. How to resist digital utopianism? Orwell's focus on language is the most effective antidote. The digital utopians needs to be fought word-for-word, phrase-by-phrase, delusion-by-delusion. As an opening gambit, let’s focus on the meaning of four key words in the digital utopian lexicon: a) author b) audience c) community d) elitism.

10. The cultural consequence of uncontrolled digital development will be social vertigo. Culture will be spinning and whirling and in continual flux. Everything will be in motion; everything will be opinion. This social vertigo of ubiquitous opinion was recognized by Plato. That's why he was of the opinion that opinionated artists should be banned from his Republic.

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From: "Merrin W." posting from Swansea UK

The Pro-Anti-Web 2.0 Manifesto

1. Oh wise Andrew, I’ve rejected 'the cult of the amateur' and now I'm slightly lost … How do I know now who has 'something interesting to say'? How do I discover the 'interesting' truths that hide among all the uninteresting blogs and wikis …? I implore you to deliver unto us each day a global email telling us what is 'interesting' and what we think about it …

2. I too was once a tasteless moronic member of the masses until I saw Andrew's light … Oh blessed was the day that one of the very 'elite' 'truth makers' he discusses in his manifesto hierophantically manifested himself in my inbox. Now I forego all taste except his own … out of interest any tips on what's good on telly tonight?

3. No, real life shouldn't be like fiction … tell us what it should be like. I’m tasteless and I'm probably getting it all wrong…

4. That's right, big media isn’t bad. Like Adorno and Horkheimer argue in 'the culture industry' it's all really, really good isn't it? (Unless I’ve misread that because I'm not a clever elite truth maker …?). Anyway, praise be to big media for discovering and bringing that genius Bono to us all!

5. You're right, the public shouldn't think they're Orwell. They're not fit to read Orwell! You tell them Andrew, they're scum!

6. Content and advertising become indistinguishable …? You mean like in postings on email lists?

7. You're right again! There's rude, wobbly bits all over the web! We’re all off to hell in a hand-cart. Please Andrew assume control of the entire web and censor it for us (except for the 'interesting things', see point 1)

8. Faith in the virtue of human nature? Put us right Andrew, tell us again oh Manichean one, what evil excreta the presumptuous posting masses are!

9. I give up, I can’t possibly work out the 'delusion' in the 'four key words in the digital lexicon'. Can't you just do it for us all (see point 1)

10. Everything will be opinion? Not whilst we have the words of Andrew (see point 1 again).

Repent, oh noxious, moronic IDC masses, your list is now defunct… your saviour comes!