
Atlantic Records hip-hop artist Lupe Fiasco, a self-professed "gamer," attacks the problem of game violence in his new track "Little Weapon."
The track sees Fiasco (nom de reality Wasalu Muhammad Jaco) decrying gaming violence, school shootings and child soldiers as the result of kids transferring in-game violence to reality ... or not.
Throughout the song he gives examples of juvenile violence around the world then ties it all together at the end with a metaphor about gaming violence, but honestly his lyrical structure is so convoluted that while we're sure he believes himself to be making a concise (and theoretically ironic) point about the dangers of popular media, a quick deconstruction of the song leads one to believe it's almost completely devoid of meaning.
For those wondering what exactly is said in the song, you can either catch the video on YouTube, or read this lyrical sample:
Fiasco's track is far from the first instance of hip-hop tackling socio-political issues, but it is the most recent, and almost certainly the least consequential.
Artists like Public Enemy made an entire (and wildly successful) career by confronting ingrained social racism and the ignorance of white America towards the plight of minorities.
Even early-90s gangsta rap -- a genre defined by showy displays of male bravado and the glorification of violence -- promoted a social agenda that found flaw with the treatment of young minorities at the hands of the police and the established government.
By comparison, Fiasco's attempt at political relevance seems both misplaced and almost laughably unimportant.
The message in "Little Weapon" seems like it would only find an appreciative audience in parents with small children or middle-aged politicos; neither of whom are going to be rushing out to buy hip-hop albums, much less taking social cues from them.
Lupe Fiasco Raps on Video Game Violence [GamePolitics]