*Simon Reynolds on the political implications of digital hardcore music.
http://energyflashbysimonreynolds.blogspot.com/2009/05/nuum-and-its-discontents-4-party.html
"...just about the most jagged and mashed slice of breakbeat science yet unleashed upon the world. It feels like a sculpted riot, a paroxysmic portent of social collapse."
*The world did not socially collapse when "Warpdrive" appeared on vinyl. I mean, not *right away.* You could make some pretty good arguments for political vacuity leading to a social collapse *now.*
http://www.youtube.com/watch?v=qXGc6Je5lUw
http://www.youtube.com/watch?v=zXAGHTrimUg
