Music Break: I don't like mashups, but that audience is losing it

Instagram’s long-form video update is more than a swipe at YouTube. It’s an attempt to capture the clip economy.

The comedian sees being online as similar to visiting the zoo. “I don’t need to interact with that,” he says. “It’s just a thing that I enjoy, and then I walk away.”

The team behind director Takashi Yamazaki’s new film created their kaiju roars by setting up speakers on top of an outdoor dam. The people walking by weren’t prepared for what they heard.

Low-quality AI-generated content currently dominates children’s media. Maka, a streaming platform run by child development experts, is offering an alternative.

From Trump TV to a Shark Tank knockoff, the president’s latest entertainment ventures are a steep decline from his days on The Apprentice.

OpenAI is updating ChatGPT for all users with an “Intelligent UI” that’s more visual—generating interactive elements as part of the chatbot’s outputs.

The metric might not mean much to laypeople, but leap seconds have been a source of contention in the timekeeping community for years. Now, they’re dead.

An earnings briefing on Wednesday revealed ad revenue has slowed since the European Union introduced the Less-Personalized Ads model at the beginning of this year.

WIRED attempts what even the Swedish brand hasn’t: making a sonic monolith using scores of the cheapest Bluetooth speakers on the market. Can you have too much of a small thing?

The French AI lab claims its latest release matches or outperforms even the best models from DeepSeek and Z.ai in coding and cybersecurity.

This week on Uncanny Valley, we dive into an unexpected Muse feature, shadowy spending from the largest pro-AI super PAC, and men’s tendency to lie about how much they know about AI.

By keeping Skullcandy in Park City, Utah, Bose is betting that skate cred and budget pricing will reach listeners it’s been missing.