Design Fiction: Charles Eames

Trump has remade the nation’s capitol in his own image. Ahead of the Fourth of July, WIRED guides you through the dizzying effects of DC’s makeover.

Emily Wilson’s 2017 translation of Homer’s epic—the first by a woman—was called a woke “abomination” by online reactionaries. Christopher Nolan’s film is facing similar critiques.

The satirical site is fighting to officially take over Infowars. In the meantime, CEO Ben Collins says the new show will mock “how fucking stupid” conspiratorial brain rot has become.

The Yahoo Boys author Carlos Barragán will join Kate Knibbs to answer your questions about Nigeria's romance scammers.

With discourse about Christopher Nolan’s epic already raging, first viewer reactions will come from mainstream press, not content creators. Some critics are gloating over this break from the norm.

An icon of Silicon Valley’s counterculture, Stewart Brand is confronting his final years in a home that embodies the self-sufficient, DIY ethos of his famous Whole Earth Catalog.

To build one family’s dream house on a flood-prone Mississippi bayou, AD100 architect Tom Kundig decided the sky’s the limit.

Tech has been encroaching on the family domicile for years—but actor, writer, and satirist Jill Kargman is all in on analog.

Infowars’ would-be creative director talks Sandy Hook, comedy’s MAGA turn, and why the future of satire may look more like a streaming startup than a late-night show.

Previous landmark scientific discoveries like the Higgs boson provide a better template for what it will take to confirm whether aliens have made contact with Earth.

A Monster Energy–sponsored MMA show on the White House’s South Lawn was never going to be the height of dignity. But UFC Freedom 250 is failing to clear even the lowest bar.

The commercial was submitted by the Freedom of the Press Foundation to run during Donald Trump’s UFC event. It criticized the $111 billion merger as a threat to the First Amendment.