But Cambridge Audio needs to rethink the buttons on the speaker. For one, the behavior of the power button is a bit confusing. When you plug in the Minx, the button glows, but the speaker remains off until press it once. To enable Bluetooth, you press a different button decorated with two overlapping rings. Maybe that screams "Bluetooth" to some, but I initially mistook it to symbolize Wi-Fi. Only the fact that the button glows blue set me straight. Also befuddling is the button for using the 3.5mm aux-in port. Its icon looks like an X, which some users could take to mean "mute."
There are five buttons on the speaker and ten presets on the included remote and in the Minx app. The Minx also uses presets for Internet radio. In the app, to choose your own preset, you select a station, then press and hold on the preset button.
As for the overall sound quality, the Minx 200 emits a pleasant stream of warmly intoned audio. The Minx uses a hybrid speaker technology called BMR (or Balanced Mode Radiator). It sports a flat panel design, a la NXT speakers, that uses a rippling system for higher frequencies mixed with actual speaker-head movement to produce the guttural, low-end frequencies.
There's even a dial on the back to add more bass, although you may not even bother using it. The speaker is designed to disperse music about 180 degrees around the room.
Here's where the other shoe drops. Despite the power you get with this speaker, it doesn't play all music at high volumes equally well. My first clue that something might be off came on the song, "Come With Me" by Echosmith, which features a swirling synthesizer section in the intro. Played on the Minx 200, I could hear the bass loud and clear. But I couldn't make out the way the synth actually "swirls." Instead, it sounded like a single note. On lower-priced speakers — units that cost $200 and $300 — you can hear the swirl effect.
I even found some weakness in the bass on the Minx. Testing with the song, "Woodbine" by the post-industrial band Windhand, it proved quite loud and satisfying. But compared to the Klipsch KMC 3, there was no contest — the KMC has a bone-shattering low range. Cambridge Audio told me the Minx hits a lower range (the company does not officially report on frequency specs). But the crushing waves of Windhand sounded more realistic on the KMC 3.
Ultimately, I question the Minx's price. You are getting massive sound and two options for wireless streaming. But you don't get the same pristine audio as with the Wren V5AP or Sony BTX-500. Nor do you get Play-Fi streaming system that works on Android phone and tablets. You can't take the Minx 200 on picnics or road trips. This is a disappointment. For $600, I want it all.
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