*Great line from Dick Powell to Ruby Keeler in "Footlight Parade" from 1933: "You might as well have a copy of the Atlantic Monthly under your arm."
http://www.theatlantic.com/past/issues/82jul/fallows.htm
The Atlantic Monthly | July 1982
Living With a Computer
"The process works this way. When I sit down to write a letter or start the first draft of an article, I simply type on the keyboard and the words appear on the screen"
by James Fallows
.....
'D SELL MY COMPUTER before I'd sell my children. But the kids better watch their step. When have the children helped me meet a deadline? When has the computer dragged in a dead cat it found in the back yard?
The Processor Technology SOL-20 came into my life when Darlene went out. It was a bleak, frigid day in January of 1979, and I was finishing a long article for this magazine. The final draft ran for 100 pages, double-spaced. Interminable as it may have seemed to those who read it, it seemed far longer to me, for through the various stages of composition I had typed the whole thing nine or ten times. My system of writing was to type my way through successive drafts until their ungainliness quotient declined. This consumed much paper and time. In the case of that article, it consumed so much time that, as the deadline day drew near, I knew I had no chance of retyping a legible copy to send to the home office.
I turned hopefully to the services sector of our economy. I picked a temporary-secretary agency out of the phone book and was greeted the next morning by a gum-chewing young woman named Darlene. I escorted her to my basement office and explained the challenge. The manuscript had to leave my house by 6:30 the following evening. No sweat, I thought, now that a professional is on hand.
But five hours after Darlene's arrival, I glanced at the product of her efforts. Stacked in a neat pile next to the typewriter were eight completed pages. This worked out to a typing rate of about six and a half words per minute. In fairness to Darlene, she had come to a near-total halt on first encountering the word "Brzezinski" and never fully regained her stride. Still, at this pace Darlene and I would both be dead—first I'd kill her, then I'd kill myself—before she came close to finishing the piece. Hustling her out the door at the end of the day, with $49 in wages in her pocket and eleven pages of finished manuscript left behind, I trudged downstairs to face the typewriter myself. Twenty-four hours later, I handed the bulky parcel to the Federal Express man and said, "Never again."
Over the next few weeks, my thoughts often drifted to the advertisements I had seen in airline magazines, in which trim and cheerful secretaries effortlessly produced documents by typing in front of computer screens. Were these devices real? I checked with a salesman for a company called Lanier and discovered that while their word-processing system, called "No Problem," was quite real, it cost some $15,000. If I had drawn a pie chart representing my annual income, No Problem would have been a very large piece of pie. I called Wang, Digital Equipment, and some of the other big-name manufacturers and got roughly the same news. If I called the same manufacturers today, I'd hear much more encouraging news, but my options were to start writing shorter articles, go into hock, or take my chances again with Darlene.
The way out of my dilemma came from an unexpected quarter. My father-in-law often dealt with inventors who put together computer systems to monitor various industrial processes, and he thought that one of them might have the answer. On his advice, I followed a trail of leads and suggestions that eventually led me to a converted church in the farmlands of central Ohio. There, Bill Cavage, Marv Monroe, and Bill Jones, three young engineers doing business as the Optek Corporation, tinkered with disk drives, photo-sensors, and other devices in hopes of making the big sale. Optek's specialty is making machines like the one they produce for drug companies, which counts pills as they pass by at a rate of 24,000 per minute and kicks out any bottles that receive the wrong number of pills. For men who can do all this, I thought, turning a small computer into a word-processing system should be a cinch.
For a while, I was a little worried about what they would come up with, especially after my father-in-law called to ask how important it was that I be able to use both upper- and lower-case letters. But finally, for a total of about $4,000, Optek gave me the machinery I have used happily to this day.
The ingredients were the basic four of any word-processing system. First was the computer itself, the Processor Technology SOL-20. Its detailed specifications—its 48K of random access memory, its Intel 8080 microprocessing chip—are now of antiquarian interest, since Processor Technology went out of business several months after I bought my computer.
The second element in my system was the monitor, a twelve-inch TV screen. Some monitors are like black-and-white TVs; mine—which, oddly enough, was produced by the same company, Ball Corporation, that makes home-canning supplies, displays light-green letters against a background of dark green and is supposed to be easier on the eyes. Third was the external storage device—the equipment that saves the documents you've written when the computer is turned off. The equipment I chose, two small tape recorders, was such a complete disaster that I must discuss it separately later on. Fourth was the printer, a ponderous machine, built like a battleship, which had been an IBM Selectric typewriter before it was converted to accept printing instructions from a computer.
These four machines, and the yards and yards of multi-strand cable that connected them, were the hardware of my system. The software consisted of a program called The Electric Pencil, with a manual explaining the mysteries of "block move," "home cursor," and "global search and replace."
I skip past the day during which I thought the computer didn't work at all (missing fuse) and the week or two it took me to understand all the moves The Electric Pencil could make. From that point on, I knew there was a heaven.
HAT WAS so exciting? Merely the elimination of all drudgery, except for the fundamental drudgery of figuring out what to say, from the business of writing. The process works this way….
