The Best Mirrorless Cameras
You know what's the least important part of taking a great photo? Gear. The vision you have and the work you put into realizing it are far more critical. Want to make great images? Spend more time in the field shooting.
That's not to say gear doesn't matter, just that it only matters if you're using it. The truth is we photographers are incredibly lucky these days. All these cameras are capable of producing amazing images, there really is no wrong choice. The downside to the wealth of great options is picking one gets even harder. I've spent years testing dozens of cameras in all kinds of shooting scenarios to come up with what I think are the best choices for different types of photographers.
Be sure to check out our many other buying guides, like the Best Travel Cameras, Best Compact Cameras, Best Action Cameras, Best GoPro Hero, and Best Instax Cameras.
Updated January 2026: I've changed the top pick to the new Sony A7V and added the Nikon Z5II as the best camera for beginners. I've also updated links and prices throughout.
What to Look for in a Digital Camera
The best mirrorless camera for you depends on what you want to do with it. Ultimately, there is no such thing as the perfect camera. Each has its own limitations, and part of the magic of photography is learning how to get around them. What you want to find is the camera best suited to the type of photos you like to take. This can be a complicated process so we put together an entire guide to choosing the right camera, which walks you through all the jargon, acronyms, sensor options, and extra features to help you figure out the best options for you.
Here are some features to keep in mind, depending on the type of images you are interested in making. While all the cameras below have these features, performance varies and some are better at, for instance, low light photography than others.
Sensor size: Yes, I said it doesn't matter and it doesn't, but you do need to understand it. For example, if you're interested in shooting wildlife, a higher resolution sensor, like Sony's 60 MP sensor in the A7R V, will allow you to crop in on images more than a 24 MP sensor. On the other hand, there's not much reason to spend extra for more megapixels if you aren't going to use them.
Autofocus: When I first picked up a camera in the 1980s, autofocus was a brand-new thing. The Minolta Maxxum 7000 was the first SLR camera with an integrated autofocus system and completely changed the way photography worked. The flip side to this is that every single image made before the early ’80s was manually focused, so no, you don't need autofocus to make a great image. Every camera below has insanely fast autofocus. However, the accuracy varies, so if this feature is important to you, pay attention to those notes.
In-body image stabilization: Often referred to as IBIS, stabilization in the camera body helps eliminate hand shake, allowing you to shoot at slower shutter speeds and still get a sharp image. This one is especially important for anyone wanting to shoot in low light conditions.
Electronic viewfinder: Often abbreviated EVF, the viewfinder is what you use to compose your shots and there is perhaps more variation here between cameras than any other features. The viewfinder has a huge impact on how much you'll enjoy using a camera. This is one place I suggest heading to your local camera shop to try out the viewfinder in person and make sure it works for you, especially if, like me, you wear glasses.
Weather sealing: An often overlooked feature that's important if you want to shoot in adverse conditions. It's never 100 percent though, keep your gear out of the weather whenever you can no matter how sealed it might be. A related feature to look for is a sensor cover that protects the sensor from dust and dirt when changing lenses.
Battery life: Battery life is pretty good across camera bodies these days, but there are still some that are better than others. For example, my Sony A7RII chews through batteries and I seldom head out with fewer than 2 backups, which is a pain.
In-camera JPEG quality: All the cameras here can save your images as RAW files, JPEG files, or both at the same time. However, some cameras produce better JPEGs than others. Fujifilm is especially noted for the amount of control it offers to fine-tune in-camera JPEGs, but these days every manufacturer has embraced this idea, with Nikon providing its own system, Sony also has tools, as does Canon. Panasonic's Lumix line has possibly the best of the bunch with its new ability to apply LUTs in-camera.
Once you've got your camera, read the manual and learn what it can and cannot do, and then use it over and over until it is an effortless extension of your mind. Once you have the comfort level, the gear fades into the background where it belongs, and you can focus on making the images you've always dreamed of creating.
Best All-Around Camera
- Photograph: Scott Gilbertson
- Photograph: Scott Gilbertson
- Photograph: Scott Gilbertson
- Photograph: Scott Gilbertson
Sony' new A7V is one of the best hybrid still and video cameras I've tested, offering excellent dynamic range, crazy-fast shooting capabilities, and plenty of resolution for everything short of billboard-size prints. (Who knows, it might even work for those. I confess I haven't tested that.) It has 95 percent of what the top-of-the-line Sony A1II offers, for half the price.
The A7V is built around a 33-megapixel, partially stacked full-frame sensor. That the sensor is now partially stacked means faster readouts, which translates to higher burst rates and less rolling shutter (though there is still some rolling shutter to contend with). You get 12.47 stops of dynamic range (rivaling medium format cameras), and excellent high-ISO performance. Combining the nice high ISO performance with the 7.5-stops of IBIS has allowed me to shoot usable images handheld at a full second (caveats: small lightweight lens, no wind, genetic blessing of very steady hands).
The A7V's autofocus and subject tracking are some of the best in the industry and it's extremely good at locking onto eyes especially. The A7V has modes to track humans, animals, birds, insects, cars, trains, and planes. The new Bionz XR2 processor offers blackout-free 30-fps shooting with electronic shutter (and relatively low rolling shutter effects. There's also up to 1-second pre-capture (where the camera will start shoot with a half press, great for wildlife).
The A7V is limited to 4K, where some competitors can do up to 6K, but the A7Vs 4K is downsampled from the full 7K sensor (with no binning). That makes for sharper video than you'll get from a straight 4K sensor, but it also enables a new feature call AI Smart Reframe. Smart Reframe works by first locking on to a subject, and then zooming and panning around the sensor to keep the subject centered, giving the illusion of having someone behind the camera. There are limits, but it's very handy for solo filmmakers.
Specs Sensor size 33 MP CMOS full frame partially stacked Viewfinder 3.69M-dot OLED with 0.78x magnification Max Photo Frame rate 30 fps continuous shooting with blackout-free operation, including pre-capture buffer Video UHD 4K 60p (full-frame, oversampled from 7K) with 10-bit 4:2:2 via XAVC HS Dual Card Slots Yes, one CFexpress Type A or SD (Slot 1), and one SD UHS-II (Slot 2) Best Camera for Beginners
- Photograph: Scott Gilbertson
- Photograph: Scott Gilbertson
- Photograph: Scott Gilbertson
Nikon's Z5II is the best entry-level mirrorless camera you could buy, with everything you need in a full-frame camera at a price that's hard to beat. First though, why "entry-level"? That's code for “a camera without the useless stuff." Let's face it, most of us never get anywhere near needing the impressive spec sheets we're paying for, most of which are really only needed in niches like sports and wildlife photography. The Z5II is for those of us who need a good sensor, fast, accurate autofocus, and great color science to make beautiful images.
The body is well designed and comfortable to hold, though being covered in buttons and dials, it definitely has a maximalist feel to it. The mode dial offers three custom slots, which is nice for dialing in settings according to different scenarios. There are buttons to jump directly to all your most-used features, like ISO, exposure comp, and autofocus mode, as well as plenty of customization options in the menus.
The sensor here is the same sensor that's in the Nikon Zf below. It's a very capable sensor with excellent image quality (the dynamic range is just over 11 stops). In real-world testing, I found I could recover underexposed images to about 4 stops before weird color casts started appearing. That's really impressive, as good as the Sony A7RIV, which even today costs nearly double the Z5II. Note that the base ISO here is 100, not 64 like the Z8. Keep in mind that this is still a 24-megapixel sensor, which is toward the lower end of the full-frame market at this point, but more than enough to print 8 x 10.
The sensor might be a generation behind, but the processor is the same as what you'll find in much more expensive cameras like the Nikon Z8 and Z6III. This is where the pretty amazing autofocus powers come from. The Z5II has proved fast and accurate in my testing, with subject recognition and tracking for birds, bicycles, motorcycles, cars, trains, and planes. The video specs are up to 4K/30 fps using the full width of the sensor, or 4K/60 fps using the APS-C 1.5x crop mode. There's also support for shooting video in N-Raw, N-Log, and HLG.
Buying a camera isn't just buying the camera, it's buying into a system of lenses, a particular type of color science, and a potential upgrade path. All of these things together still make the Nikon Z5 the best deal out there, in my opinion. The Nikon lens system is fantastic, with everything from massive wildlife lenses (the Nikkor Z 180-600mm being a standout) to the surprisingly capable 40mm pancake. The image quality from the Z5II is excellent. I find Nikon's JPEG noise reduction to be a bit much, but the results are great when shooting RAW. There are obviously higher-resolution sensors, and that's part of what makes this a compelling buy: Invest in the Z5 now, spend more on lenses, and if you really feel you need more resolution and speed, the Z8 or Z9 are available.
Specs Sensor size 24 MP CMOS Full Frame Viewfinder 1/2-inch OLED EVF with 3.69 million dots Max Photo Frame rate 14 fps mechanical shutter (RAW), 30 fps JPEG only. Video 4K UHD (3840 × 2160) at 30p/25p/24p (full-frame), 60p/50p with 1.5X crop.Supports N-Log, HLG, and N-RAW 12-bit Dual Card Slots Yes, SD card slots with support for RAW on one, JPEG on the other.
Best APS-C Camera
The Fujifilm X-T5 is one of the best cameras I've tested. The 40-megapixel APS-C sensor in the X-T5 is impressive enough that you'd be hard-pressed to tell it from a full frame sensor. Images from the X-T5 are sharp, wonderfully detailed, and don't suffer too much noise. This sensor also manages to retain that uniquely Fujifilm look.
The X-T5 is more focused on the shooter of stills than video, though it can record up to 6.2K/30p video. The camera body's design is reminiscent of film cameras, and perhaps the best thing about it is how seldom you need to use digital controls. ISO, shutter speed, exposure compensation, and shooting modes are all accessible via physical dials. Plus, Fujifilm's excellent line of lenses is surprisingly affordable relative to some of the others on this list, making this one of the least expensive systems to invest in. My only real gripe is the grip; it's on the small side for a body of this size.
Specs Sensor size 40 MP XTrans APS-C Viewfinder 1/2-inch OLED (3.69M dots) 0.8x magnification Max Photo Frame rate 15 fps RAW Video 6.2K: Up to 29.97 fps (6240 × 3150), 4:2:2 10-bit4K: Up to 30 fps, 4:2:2 10-bit Dual Card Slots Yes, dual SD card slots Alternatives:- Fujifilm X-E5 ($1,699) is pretty much the X-T5 smashed into a rangefinder-style body. (Read our review of the Fujifilm X-E5 here.) The viewfinder is smaller, and you lose the ISO dial to a film simulation dial, but the output is very similar. The X-E5 is less capable when it come to video, making it a better choice for stills shooters, especially those who like the X100VI, but want interchangeable lenses.
- Fujifilm X-H2 ($2,299) is the best option for those more interested in video. It uses the same sensor as the X-T5, but can record 8K/30p video and has nice video extras like a fully articulated rear screen, support for an external cooling fan, 3.5mm headphone jack, and HDMI out.
Megapixel Madness
If you shoot wildlife or landscapes and want to either crop extensively or print large, then the more megapixels the better. That's why we recommend the Sony A7RV, which sports a massive 61-megapixel sensor, the largest you can get in a full frame camera (this sensor is also in the Leica M11 if you're looking for a rangefinder experience). The image quality here is astounding. The A7V may have technically surpassed it in dynamic range, but you'll never notice that in real life. dynamic range in the A7R V is outstanding, and the ability to recover detail in the shadows is something you'll only believe once you do it yourself. The details here are fantastic as well, if ever you've harbored a secret desire to pixel peep, this is the sensor to do it on. If that's not enough, there's a 16-shot, high-resolution mode that can create 240-MP images (so long as your subject is static, e.g., a landscape). I also like that there's an option for compressed RAW files as the uncompressed RAW files from this sensor run around 125 megabytes per image, which adds up fast (see our guide to external hard drives if you buy this one).
The autofocus speed and subject tracking are fast and accurate, particularly the eye detect, which works really well. The viewfinder is huge and bright, one of the biggest on the market at .64 inches (most full frame cameras have a .5 inch viewfinder). While the A7R V is definitely primarily a photography camera, it has decent video capabilities, with support for 8K at up to 25 fps (1.24x crop) and 4K 30 at the full sensor width. That said, the A7V above will have better video thanks to its oversampling. The A7R V is more for the photographer who occasionally needs to shoot video than a dedicated video rig.
Specs Sensor size 61 MP BSI CMOS full frame Viewfinder .64" OLED (9.44M dots) 0.9x magnification Max Photo Frame rate 10 fps RAW Video 8K 24p/25p (7680 × 4320) full sensor readout, 10-bit 4:2:0 4K 60p (3840 × 2160) at 10-bit 4:2:2 4K 30p with 6.2K oversampling for better sharpness Dual Card Slots Yes, One CFexpress Type A, one SDXC UHS-II
Best Canon Mirrorless Camera
On paper the Canon EOS R6 MkIII is a fantastic camera. The new 32.5MP full-frame sensor considerably ups the ante from the 24 MP of previous model. The higher resolution also comes with 40 frames per second burst shooting and pre-capture like the Sony A7V and others.
I have not had a chance to test the R6 yet, but my previous experience with the 6-series cameras (going back to the original 6D) make me think that this is going to be the Canon to get. The sample images available online show excellent sharpness, with good contrast and the characteristic Canon color rendering (slightly warmer in tone than some of the others here). The video specs are also impressive with 7K open gate recording.
Specs Sensor size 32.5 MP CMOS full frame Viewfinder .5" OLED (3.69M dots) 0.76x magnification Max Photo Frame rate 40 fps Video 7K 17:9 60p internal RAW (up to 6.9K 24–30 fps) Dual Card Slots Yes, CFexpress Type B and UHS-II SD Best Nikon Upgrade Pick
If you're feeling the limitations of an entry level camera and you're a Nikon shooter, I currently recommend Nikon's Z6 III as your next step up. It brings most of the flagship features of Nikon's far more expensive Z8 and Z9 to the Z6 line. The Z6 III features Nikon's 24-megapixel partially stacked CMOS sensor, very fast and accurate 3D subject-tracking system, and ProRes encoding for video—making it one of the best hybrid, photo/video cameras on the market.
The “partially stacked” bit means you get some of the performance benefits of a stacked CMOS sensor, like those found in the Nikon Z8 and Z9, but not the downsides (or, at least fewer of the downsides). Stacked sensors, ahem, stack the processing circuits right on top of the sensor itself (technically, it's behind the sensor), which means the RAM is directly tied into the sensor, making for incredibly fast readout. This is what allows high-end cameras to shoot upwards of 12 RAW images per second without the viewfinder blacking out. The downside to stacked sensors is that you run into some rolling shutter distortion with moving objects, and there is often less dynamic range. The Z6 III's partially stacked sensor is an attempt to lessen those downsides, and it mostly works. Image quality is excellent and the characteristic Nikon color science looks great in the on-camera JPGs.
The 5.76-million-dot viewfinder has a blazing fast 120-Hz refresh rate and is insanely bright and wonderful (it supports full HDR color space). The back panel isn't bad either, with a 2.1-million-dot display and full articulation, which makes it easy to shoot video from pretty much any angle.
The main downside here is the Z6 III has about a stop less of dynamic range than its competitors, but in actual real-world use, I didn't find this to be a factor.
Specs Sensor size 32.5 MP CMOS full frame Viewfinder .5" OLED (3.69M dots) 0.76x magnification Max Photo Frame rate 40 fps Video 7K 17:9 60p internal RAW (up to 6.9K 24–30 fps) Dual Card Slots Yes, CFexpress Type B and UHS-II SD Specs Sensor size 24 MP partially stacked full frame Max Photo Frame rate 12 fps RAW Video 6K/60p RAW ★ Alternatives: For more resolution, there's the Nikon Z8 ($3,497), which is very nearly identical to the Z6 except it has a higher resolution, 45 MP fully stacked sensor, and a few more on-camera buttons (the Z8 also has a sensor shield to protect it when changing lenses, which I love). The main reason the Z8 is not currently our upgrade pick is that we're expecting an update soon so we recommend holding off for now if you can.
-Reviewer-Photo-SOURCE-Scott-Gilbertson.jpg)
Best for Classic Camera Vibes
The Nikon Zf is the camera I would buy if I were in the market for a new camera. I grew up in the film era, and I am still more comfortable turning dials and knobs than I am using touchscreens. The Nikon Zf offers just that. Every setting you need to make an image is accessible on a dial or knob: ISO, aperture, shutter speed, and exposure compensation. There's also a switch to change shooting modes and another to change to black-and-white mode or video mode.
The Zf looks like a 1980s film camera, but the 24-megapixel sensor and speedy autofocus system is decidedly modern and very nearly as good as the Nikon Z6 III above (it uses the same sensor as our top pick for beginners, the Z5II). They hybrid phase-detection/contrast AF is plelnty fast and accurate, subject-tracking, animal eye, and vehicle tracking modes as well. I hate that Nikon doesn't give you a battery charger, but otherwise the Nikon Zf is a fantastic camera. I suggest the version with the 40-mm lens, which pairs well with this body.
Specs Sensor size 24 MP CMOS full frame Viewfinder 1/2-inch OLED EVF with 3.69 million dots Max Photo Frame rate 13 fps mechanical shutter (RAW), 30 fps JPEG only. Video Up to 4K UHD (3840 × 2160) at 60p/50p/30p/25p/24p (with 6K oversampling). 10-bit H.265/HEVC and S-Log3 Dual Card Slots Yes, one UHS-II SD, and one UHS-I microSD Best Panasonic for Video Shooters
Panasonic’s S5 II is a compact, full-frame mirrorless with a very sharp 24-megapixel sensor. The S5 mostly holds its own against the rest of these full-frame cameras in still image quality, but what really sets it apart is the extra video features. Support for V-Log recording, Real Time LUTs, anamorphic 4K, video recording to SSD, and more. While many of the others on this page can boast quite a few of these features, no other camera has them all. The result is a camera that's perfect for hybrid video and stills shooters. The S5 II improved autofocus considerably over the original S5, adding phase detection and closing the autofocus gap with competitors.
The S5 uses the L-mount lens system, an effort to do for full-frame what Panasonic did for micro four-thirds: create a unified lens mount standard. Leica is the driving force behind the L-mount, but Panasonic and Sigma also have plenty of glass in L-mount. That means there's no shortage of lenses for the S5. If your primary use case is video, be sure to check out our guide to the gear and tips you need to make studio-grade home videos. Also be aware that the camera rumor mill is calling for an S5 III in the near future (spring 2026 is possible), with that camera likely make the jump to a 30-33 MP sensor and 8K video. You might want to hold off and see what happens if you're on the fence about this one.
Specs Sensor size 24 MP CMOS full frame Viewfinder 1/2-inch OLED EVF with 3.68 million dots .78x magnification Max Photo Frame rate 30 fps electronic shutter Video 6K 3:2 up to 30p and C4K 60p recording via HDMI Dual Card Slots Yes, dual UHS-II card slots
-SOURCE-Panasonic.jpg)
Best Panasonic Upgrade Mirrorless
Panasonic's S1R II is a great all-around full-frame mirrorless camera. The 44-MP sensor is capable of gorgeous stills and up to 8K 30p video. Video shooters will also be glad to know there's support for in-camera ProRes 422 and ProRes RAW capture. It uses the same internal fan design as the S5II, which allows the S1R II to record video for longer without overheating. On the downside there is some rolling shutter. Fast pans will definitely show some jello wiggling at higher fps settings. It's not too hard to avoid this, but there are situations where it could be an issue.
The large, bright, high-resolution EVF is not quite as good as the Sony A7R V’s EVF, but it's on par with what you get from Canon and Nikon. I had no issues using it with glasses. The back display can both tilt and fully articulate, allowing you to shoot from just about any angle you care to come up with. Autofocus is good, though it does still struggle at times and is not as good as what you'll get with Nikon or Sony. That said, I had to work a little to really confuse it. Under normal shooting conditions it will be fine for most situations.
One of my favorite features in this camera is Panasonic's real-time LUT system. Load any LUT file you like via the SD card, and you can apply it to photos and preview video footage using it. It's the most flexible way to get in-camera “film simulations” for your JPEGs and thank to adopting LUTs, the sky is pretty much the limit here—whatever you can find, should work.
Specs Sensor size 44 MP CMOS full frame Viewfinder .5" OLED (5.76M dots) 0.78x magnification Max Photo Frame rate 40 fps electronic/ 10 fps mechanical Video 8.1K/7.2K 30p 6.4K Open Gate 4K 120p (1.1x crop) Dual Card Slots Yes, CFexpress Type B and UHS-II SD A Luxe Fixed-Lens Option
The Leica Q3 packs a 60-megapixel sensor and the Maestro IV processor, which it uses to produce some truly wonderful images. True to Leica's reputation, shooting with the Q3 is a wonderful, simple experience that helps you focus on what you're doing, not the camera.
The autofocus on this model is better than on the Q2, but it's still not a sports or wildlife camera by any means. The fixed 28-mm lens is great in both manual and auto focus modes. I never used to be a fan of 28-mm lenses, but lately they've grown on me. In late 2024 Leica complicated the buying decision by releasing the Q3 43, which is otherwise the same Q3, but with a 43mm f/2 lens. I haven't tested it, but it's probably the one I'd get if I were in the market.
The Q3 also has a bright, sharp viewfinder. It's not the camera for everyone, but for a certain kind of photographer the Q3 is an absolutely perfect fit.
Specs Sensor size 60 MP CMOS full frame Viewfinder .5" OLED (5.76M dots) 0.79x magnification Max Photo Frame rate 15 fps mechanical Video 8K (8192 x 4320) at 30fps 4K (4096 x 2160) at up to 60 fps Dual Card Slots No, One UHS-II SD card slot
Best for Travelers
Traveling means lightening your load, and we've got a whole guide to the best travel cameras. The smallest body full frame pick in that list is the A7C R, our favorite full frame travel camera. It's one of the smallest full-frame, interchangeable-lens cameras on the market and the 61-MP sensor (the same sensor as the A7RV) offers the kind of amazing detail you want in those epic travel shots. The super fast autofocus system is among the best you'll find in mirrorless camera, and there's great subject tracking as well, making it perfect for shooting fast-moving scenes on the go.
While Sony's R series cameras are mainly for high resolution still images, the video specs here are solid enough for the casual video user, with support for 4K/60 fps video in full-frame mode (1.2X crop) or oversampled 4K/30 fps video. Both support 10-bit 4:2 color depth, various Log formats, and even 16-bit RAW output to an external recorder.
My main gripe about the A7C R is the same as it was in my initial review. The viewfinder is cramped and low-resolution (2.36 million dots). It's not a deal breaker for me, but it's something to keep in mind and good reason to rent a camera before you invest.
★ Alternative: At $2,198, Sony's A7C II (note, no R) is a bit cheaper. It uses Sony's smaller 33-MP sensor but is otherwise very close in size and capabilities, with considerably more video chops than the A7C R. If you want to make videos as well as stills, the A7C II is a better choice.
Specs Sensor size 61 MP BSI CMOS full frame Viewfinder .39" OLED (2.36M dots) 0.7x magnification Max Photo Frame rate 10 fps RAW Video 4K 60p (with 1.2x crop) 4K 30p (1.5x crop) XAVC HS 4:2:2 10-bit and S-Cinetone Dual Card Slots No, just one UHS-II SD slot
Lenses and Accessories
Once you've figured out the best camera for your needs, buy a lens to go with it and start shooting every day. Which lens? If you're a beginner and aren't sure, we recommend starting with the kit lens. Kit lenses aren't always the fastest lenses, nor do they use the highest-quality glass (though there are some outstanding kit lenses), but they're they best bang for your buck when you're just starting.
These are typically in the 28-85mm range, with the venerable 24-70 being a popular length, which gives you the ability to shoot everything from landscapes (the wide end) to portraits (the long end). Shoot with the kit lens until you figure out your favorite focal length. Then, if you want to upgrade to a fast prime lens, you know which focal length is best for what you're shooting.
The camera industry has come up with hundreds of gizmos and doodads to sell you as camera accessories, most of which you don't need. I like to travel light so my entire collection of camera accessories consists of an air blower (for cleaning dust off lenses and sensors), my favorite camera strap, and my favorite wrist strap (for smaller cameras).
A tripod can be helpful as well, depending on the type of photography you're into. Again, I like to keep things light and simple, which sometimes means stupendously expensive, like this Peak Design one. This Manfrotto aluminum tripod is a little bit cheaper but very robust. If you're serious about video, you'll want something like Manfrotto's extra stout video head tripod.
You'll also likely want a bag to store your camera, lens, and accessories. We have full guide to camera bags to help you out.
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