Gallery: Decoding the Hidden Meanings of Olympic Symbols
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Tokyo's 1964 pictograms used simple silhouettes to depict the athletes.
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Lance Wyman's graphics for the 1968 Mexico City Games were a bold departure. The color and shapes were based on pre-Hispanic glyphs.
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The 1972 Munich Olympics use elements from Tokyo's pictograms, but the figures are thinner and more uniform.
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In 1976 Montreal reused Munich's symbols but changed them to a red hue.
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An art student designed Moscow's 1980 unibody pictograms.
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The organizing committee of the 1984 Los Angeles Games were interested in using Munich's set of pictograms, but realized it would be cheaper to design them from scratch. You can still see Munich's lineage in the streamlined design.
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Seoul's 1988 icons are distinguished by their white torsos.
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In 1992, Barcelona's pictograms marked the first time since Mexico City that the pictograms took on a highly-stylized look. The icons were meant to evoke the Games' logo, which used similar sweeping gestures.
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For the 1996 Olympics Malcom Grear designed a hyper-realistic set of pictograms based on photos of athletes.
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For the Sydney 2000 Olympics, the designers created a group of pictograms where the legs and torso were replaced by boomerangs.
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Athen's 2004 pictograms are meant to evoke the figures found on ancient Greek vases.
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Beijing's 2008 pictograms use calligraphic strokes.
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For the 2012 Olympics, SomeOne designed a set of humanistic pictograms that were meant to tie into the overall graphic identity of the Games.
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This year's pictograms are meant to represent the curvy Brazilian landscape.
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