Gallery: The Funny, Occasionally Dirty, Hidden Messages in Your Favorite Games
01001-DONKEY
It’s the 80's, or perhaps the 90's. You're a game programmer, working long, hard hours slaving over code for which your corporate overlords will likely not even give you the dignity of a credit. If they do, they’ll make you use some goofy-sounding nickname. You’re stressed, you’re frustrated, you’ve barely seen your loved ones in weeks. You can’t vent to anyone about the coworkers that are pissing you off, your game is likely to be pirated upon release, but you’ve done amazing feats of code. What do you do to vent your frustrations while leaving your mark on your hard work? You hide a personal message in the game's code. Many a game designer has left messages etched permanently in the data of our games, buried deep within the code and not intended to be seen by us. The most famous was the [hidden digital signature](http://en.wikipedia.org/wiki/File:Adventure_Easteregg.PNG) that Warren Robinette left in his game Adventure, in rebellion against Atari's policy of total anonymity for its creatives. But he was hardly the last. The content and scope of these messages varies wildly, from furtive credits to gigantic essays about the ills of the game industry. Sometimes these messages can only be seen by hacking into the game’s code, while other times the programmers have hidden them in the gameplay itself. There have even been cases where these messages have helped settle legal disputes over who actually created the games. [The Cutting Room Floor](http://www.tcrf.net) is a repository of content that lies hidden beneath the surface of games. Here are some of the fascinating treasures these tireless digital archaeologists have unearthed. __Above:__ Donkey Kong (Arcade) -------------------- When Nintendo first got into creating arcade videogames, it didn't yet have the capability to program them itself. This hidden message in the code of Donkey Kong shows that development of Nintendo's breakout hit was at least partially outsourced to a company called Ikegami Tsushinki: > CONGRATULATION !IF YOU ANALYSE DIFFICULT THIS PROGRAM,WE WOULD TEACH YOU.\*\*\*\*\*TEL.TOKYO-JAPAN 044(244)2151 EXTENTION 304 SYSTEM DESIGN IKEGAMI CO. LIM. The message, among several other bits of code, helps prove Ikegami’s otherwise-hidden role in the game's development. Ikegami would later sue Nintendo for illegally producing extra Donkey Kong games without its consent, as it was also the contracted manufacturer, as well as reverse-engineering Ikegami's code to create Donkey Kong Jr. *Image: [VGMuseum](http://www.vgmuseum.com)*
02002-MSPAC
Ms. Pac-Man (Arcade) -------------------- The hidden text in Donkey Kong that helped spur a lawsuit unintentionally spawned another hidden message in another legendary arcade game. While working at General Computer, a company that created upgrade kits that altered the graphics and gameplay of existing arcade games, programmer Steve Golson was investigating the code of Donkey Kong when he came across Ikegami's hidden signature. While programming General Computer's most famous upgrade kit Ms. Pac-Man, he remembered the text and slipped a message of his own into the code, one directed at Masaya Nakamura, head of Pac-Man maker Namco: > GENERAL COMPUTER CORPORATION Hello, Nakamura! Years and an untold amount of ports of Ms. Pac-Man later, the former General Computer developers realized they weren’t getting paid their fair share. Namco insisted that the ports had been reprogrammed, but by dissecting the code – and showing, specifically, the presence of this text – the programmers could prove that at least some of the versions were emulations rather than pure ports. *Image: [VGMuseum](http://www.vgmuseum.com)*
03004-CHASE
Chase H.Q. (TurboGrafx-16) -------------------------- Another message in plain sight… or perhaps plain earshot. Leaving the game paused for around 10 minutes and 45 seconds will play what most will simply hear as a strange series of beeps. <audio controls=""><source src="http://stag-komodo.wired.com/images_blogs/gamelife/2034/05/TaitoChaseHQ-MorseCode.ogg" type="audio/ogg"></source><source src="http://stag-komodo.wired.com/images_blogs/gamelife/2034/05/TaitoChaseHQ-MorseCode.mp3" type="audio/mp3"></source>\[dewplayer:http://stag-komodo.wired.com/images\_blogs/gamelife/2034/05/TaitoChaseHQ-MorseCode.mp3\]</audio> It’s more than just random noise, however – it’s actually Morse code. > -.. . / .--- -. .---- -.- - .--- / -.- The sequence spells out "DE JN1KTJ K," shorthand for "This is JN1KTJ. Over." JN1KTJ is the *nom de cyber* of Yujix Terada, one of the game’s programmers. Another PC Engine game, Gokuraku! Chuuka Taisen, features a similar Morse message from Terada. *Image: [VGMuseum](http://www.vgmuseum.com)*
04newtetristitle
The New Tetris (Nintendo 64) ---------------------------- David Pridie was a programmer who passed away suddenly in 2001 at the young age of 29. He left us with several games, one containing a notorious chunk of hidden text. The Nintendo 64 puzzle game The New Tetris contains a blistering rant targeted at the game's producer. Pridie didn't think anyone would find his message for a long time; it actually took all of three days before it was found and posted online. Here is an excerpt: > I must say, this was a fun time coming down to San Francisco to do The New Tetris. Allthough there were a few problems. First of all being our producer.. D\*N, my god.. is this guy useless or what?? I don't hate you D\*N.. but you SUCK, and I mean SUCK as a producer. You should go back to testing video games, but I doubt you could even manage that properly. I feel sorry for you. During this project you just sat around and played video games.. starcraft and everquest. > > Don't even deny that.. when you WERE working, it was making stupid Excel (tm) spreadsheets to try and tell me how many bugs I had left to fix on a graph.. like WTF is that??? who cares.. I have the bug list in front of me, like I need to see it in freaking technicolor. So D\*N, I must say this.. hold onto, and fake your job while you can, because once they find out how truely useless you are, you will be out of a job. I cannot think of any skillset you would fit into in this industry, so you better hold on tight. (This guy thought I could save a name in 8.4 BITS.. like umm.. .4 BITS?? WTF is .4 BITS?? its either ON or OFF, not in between... anyhow, Enough about you though. > > Well boys and girls, I just thought I would immortalize some thoughts I have at the moment into a rom which will be burned forever. This game sucks. The music is great but the game itself is not how we wanted it unfortunately. I mean, it is a good game, but some things could be polished, as well as sped up. Could use another month to finish this thing off AFTER all the bugs are fixed. oh well, woh is me. *Image: The Cutting Room Wiki* *An earlier version of this story misidentified the game in which this message was hidden.*
05007-SONIC
Sonic the Hedgehog (Sega Genesis) --------------------------------- At this point, Sega's Sonic the Hedgehog games have been extensively dissected by fans looking for unused and hidden content. The original Sonic, however, has a cleverly hidden set of Japanese credits on the "Sonic Team Presents" screen, rendered invisible due to the palette of the text being black to match the background. A code exists in the Japanese version to access them. \[caption id="attachment\_56246" align="alignnone" width="640"\][](http://stag-komodo.wired.com/images_blogs/gamelife/2034/05/a_sonic640.png) *Image: The Cutting Room Floor/CC BY 3.0*\[/caption\] The use of proper names here is unusual: In this era it was still common for Japanese programmers to use pseudonyms, usually under orders from corporate overlords afraid of their star employees being headhunted. A prototype of the first Sonic game displayed this screen when it was loaded up, prompting Sonic creator Yuji Naka himself to declare it a fake on Twitter -– he explained that there was no way full-name credits would have been permissible.
06008-COMMANDO
Commando (NES) -------------- The NES port of Capcom’s arcade shooter contains a very well-hidden secret, one that's near and dear to the heart of one of its programmers. The only way to discover it, however, is to find the text hidden within the ROM explaining how to do the trick: > THIS GAME OF KEYWORD IS 3/24... ITS MY BIRTHDAY. > IF 4-4 ROUND PLAY 3=PLAYER 24=HAND BOMB THEN YOU WILL BE CLEAR THIS GAME. > MY NEXT MAKE GAME IS -CAPTAIN HIGEMARU- PLEASE PLAY IT. YOU KNOW ?? Finishing the game with three lives and 24 grenades remaining gives you this hidden thank-you screen: \[caption id="attachment\_56247" align="alignnone" width="512"\][](http://stag-komodo.wired.com/images_blogs/gamelife/2034/05/b_commando512.png) *Image: The Cutting Room Floor/CC BY 3.0*\[/caption\] Also in the game’s code is a message in Japanese expressing regret over being unable to attend a meet-and-greet fan event for Mamiko Takai, a Japanese idol singer popular in the '80s, because Capcom was moving its office at the time. *Image: [VGMuseum](http://www.vgmuseum.com)*
07009-YUME
Erika and Satoru's Dream Adventure (Famicom) -------------------------------------------- This Japan-only Famicom game, developed by Atlus and published by Namco, contains a very long-winded and profane message from one of its developers, "Hidemushi." You can access the message in the game itself, without looking at the code. But you have to let the game idle for almost an hour and a half, and enter in a complex series of button presses. Once you do that, a song from another early Atlus-developed game The Karate Kid will play, and a message in Japanese will appear. http://www.youtube.com/embed/doQ-2xQT2E8 The Cutting Room Floor's translation is as follows: > Mmm, that's a nostalgic song playing. Those were good times. Meanwhile, who the hell are these people with this project? I'm so glad it's over. You think it's nothing but good memories? Hell no! Let's use this space to give out some thanks. > > First off, Kaoru Ogura, who ran off with some guy in the middle of the project. Yes, you, you bastard. Don't show up at the office without showering after having sex 6 times the previous night. Next, Tatsuya Ōhashi. Yes, you, you bastard. Don't give me your flippant shit — coming in late on the day we ship the ROM like nothing's amiss. You can give me all the porn you want; I'm not forgetting that one. All that fucking weight you put on. No wonder you paid out 18,000 yen and still got nothing but a kiss out of it. Kenji Takano, Namco debugger. You are a part-timer; don't dick around with the project planner. And finally, Kiyoharu Gotō, the biggest thorn to my side in this project. Yes, you, you bastard. Once I get a time machine, I’m sending you back to the Edo period. Go do your riddles over there. > > Ahh, that's a load off...wait, no it's not. Kiyoharu Gotō — yes, you, you bastard. Aaaagh, just disappear already. > > Come to think of it, some people were helpful to me, too. Mr. Okada, who took all the good stuff. I know all about your abnormal tendencies. Yamagishi, who swore off [soaplands](http://en.wikipedia.org/wiki/Soapland) until the project was over. Go ahead, knock yourself out now. Iwata, who joined in midway and gave it all he had. Sorry I yelled at you. Keep hanging in there. Fujimura, Udopyu, you probably had it the worst of all. Thanks. I mean it. Gotō's the one to hate here. Also, Takayama, Kudō, Suzuki, Makki, Kaneko, Aihara, Sato (the angel of my heart), Iga. Thanks, everyone. *Screengrab: Wired*
08010-SAIYUKI
Ganso Saiyuuki: Super Monkey Daibouken (Famicom) ------------------------------------------------ This legendarily awful action role-playing game for the Famicom is considered one of the great *kusoge* ("shit games") in Japan. How did it turn out so terribly? Perhaps it's because the game's designer had other things on his mind. Hidden not in the game's program code but in its graphics chip is the following message. \[caption id="attachment\_56248" align="alignnone" width="500"\][](http://stag-komodo.wired.com/images_blogs/gamelife/2034/05/c_ganso.png) *Image: The Cutting Room Floor/CC BY 3.0*\[/caption\] > デザイナーなかじま かおる。 > 1960アイチケン トヨカワ市うまれ．26才。… > おまんこ．なめてぇーよぅ > エッチする女ノ子がほしい チツちゃん、クリちゃん、スキ！スキ！ Translated: > Designer: Kaoru Nakajima. > Born in Aichi prefecture, Toyokawa city. 26 years old. > I want to lick pussy. > I want a perverted girl. I love the vagina and the clitoris! *Screengrab: Wired*
